Ranbir Kapoor's Upcoming Films and Release Timeline (Updated)
BY SUNIT JANGIR
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Bollywood
BY CHRISTA LINCY
The makers of Sanjay Leela Bhansali's much-awaited film, Love & War, have officially locked its theatrical release date. Starring Ranbir Kapoor, Vicky Kaushal, and Alia Bhatt, the film is set to hit cinemas on Thursday, January 21, 2027. By picking a Thursday release, the production is looking to capitalize on a massive six-day extended holiday window, as Republic Day falls on the following Tuesday, January 26. The film will release in three languages, including Hindi, Telugu, and Tamil, aiming for a wide pan-India reach during the holiday period. While the date is now fixed, the production is currently navigating a few scheduling hurdles. Reports suggest that the film is about 40 days behind its original schedule, with roughly 10 per cent of the filming still pending. This includes the crucial climax sequence which is yet to be canned. The delay is largely attributed to Bhansali's meticulous working style and the intricate visual effects requirements. Since the story features 1960s-period aesthetics and significant aerial action sequences, the makers want to ensure a lengthy post-production phase to maintain high-quality VFX standards. Another major factor for the January 2027 date is the conflict in actor schedules. Ranbir Kapoor is currently involved in the filming of Ramayana: Part 2, while Vicky Kaushal is preparing for his next project, Mahavatar. This new release window also provides a comfortable gap between Love & War and Ranbir's other big-budget project, Ramayana: Part 1, which is scheduled for a Diwali 2026 release. To keep the look of the film under wraps, the production has enforced a very strict policy on set, including NDAs for over 500 crew members and a total ban on mobile phones during the shoot. (adsbygoogle = window.adsbygoogle || []).push({}) The plot is rumored to be an epic love triangle set against a war-torn backdrop, with many drawing comparisons to the 1964 classic Sangam. Industry insiders describe the relationship between Ranbir Kapoor and Vicky Kaushal’s characters as a clash of fire and ice. Both play Indian Armed Forces officers, with Ranbir's character reportedly having aggressive and slightly negative shades, while Vicky plays a more subdued yet opinionated officer. The conflict arises as both best friends fall for the same woman, played by Alia Bhatt. Interestingly, Alia has already completed her emotionally heavy portions of the film. This project marks the first time that Ranbir, Alia, and Vicky will share the screen together, making it one of the most anticipated casting combinations in recent years. It also marks a significant reunion for Ranbir Kapoor and Sanjay Leela Bhansali, who last worked together on Ranbir's debut film, Saawariya, in 2007. While the initial budget was planned at ₹250 crore, the current estimates suggest it has surged to approximately ₹350–380 crore due to the extended shoot days and the grand scale of the production.
Bollywood
BY SUNIT JANGIR
Mumbai, April 15 - The hit team behind blockbuster Saiyaara is officially reuniting, with Ahaan Panday, Aneet Padda, and director Mohit Suri coming together once again for a new romantic venture, with Akshaye Widhani of Yash Raj Films once again backing this exciting project. After the massive success of Saiyaara, the trio is set to headline another intense romantic film backed by Yash Raj Films. The project, which is currently untitled, is expected to bring back the emotional storytelling and soulful music that made their previous collaboration a blockbuster. (adsbygoogle = window.adsbygoogle || []).push({}) The film will once again feature Ahaan Panday and Aneet Padda as the lead pair, whose on-screen chemistry was widely appreciated by audiences, especially among younger viewers. Their pairing became one of the biggest highlights of Saiyaara, contributing significantly to its 570 crores worldwide success. According to reports, the film is slated to go on floors later this year, with a worldwide theatrical release planned for 2027. The makers are aiming to recreate the magic of their previous collaboration while exploring a fresh and emotionally engaging narrative. (adsbygoogle = window.adsbygoogle || []).push({}) 'SAIYAARA' TEAM REUNITES – THE OFFICIAL ANNOUNCEMENT IS HERE... The #Saiyaara team is back... Director #MohitSuri, producer #AkshayeWidhani, and lead stars #AhaanPanday and #AneetPadda join forces once again for a brand-new project – an intense romantic drama, enriched with… pic.twitter.com/AIXv69Osjr— taran adarsh (@taran_adarsh) April 15, 2026
Bollywood
BY SUNIT JANGIR
Mumbai, April 15 - Kartik Aaryan's much-awaited fantasy entertainer Naagzilla has officially been postponed from its August 2026 release. The makers have locked a new release date, with the film now set to arrive during the Valentine's Day 2027 week. Directed by Mrighdeep Singh Lamba, the film will be released on February 12, 2027. It is produced by Dharma Productions and Mahaveer Jain Films. Backed by Karan Johar, Apoorva Mehta, and Mahaveer Jain, Naagzilla is being mounted on a grand scale. (adsbygoogle = window.adsbygoogle || []).push({}) The shift from an Independence Day 2026 window to February 2027 suggests a strategic move by the makers, possibly to allow more time for post-production or to position the film better at the box office. The film explores a unique fantasy-comedy concept revolving around a shape-shifting serpent With a fresh release timeline and a visually intriguing concept, Naagzilla continues to build curiosity among fans. All eyes are now on the makers for further announcements, including teasers, cast details, and more insights into this ambitious fantasy venture. Stay tuned...
Bollywood
BY SUNIT JANGIR
Mumbai, April 15 - Director Aditya Dhar's spy action thriller Dhurandhar 2: The Revenge continues to win over audiences and filmmakers alike, with acclaimed filmmaker Sooraj Barjatya now joining the growing list of people who have showered high praise for the mega blockbuster. Headlined by Ranveer Singh, Dhurandhar 2 released on March 19, and since then, it has not only scored critical acclaim, but also emerged as one of the highest-grossing Indian films worldwide with over a staggering 1700+ crores. The first film, released in December last year, is also among the biggest grossers with 1300+ crores. (adsbygoogle = window.adsbygoogle || []).push({}) Sooraj Barjatya Compares Dhurandhar With Legendary Sholay Speaking about the film to SCREEN, Barjatya described Aditya Dhar's directorial venture as a "perfect film after Sholay," a statement that instantly grabbed attention across the industry. Given the iconic status of Sholay, often hailed as a benchmark in Indian filmmaking, such recognition places Dhurandhar 2 in an exceptionally prestigious league. Barjatya went on to commend the film's narrative strength and character depth, noting that every role leaves a lasting impression. "As a filmmaker, whatever's good is good. I think Dhurandhar is a perfect picture after Sholay. Every character is so well done. Hats off to Aditya (Dhar)", said the filmmaker, whose filmography includes some of the cult romantic family drama films, like Hum Aapke Hain Koun..!, Hum Saath-Saath Hain, Vivah, and Maine Pyar Kiya, among others. (adsbygoogle = window.adsbygoogle || []).push({}) Why The Comparison Matters Sholay has had a lasting impact, not just on the audience but also on the Indian filmmakers, which has shaped the style of filmmaking over the years and continues to inspire filmmakers to make films of that scale. The comparison to Sholay is not just symbolic; it reflects the cultural and cinematic impact Dhurandhar 2 is beginning to achieve. With strong word-of-mouth and continued industry backing, the film appears set to leave a lasting legacy, much like the classics it is now being compared to.
Bollywood
BY CHRISTA LINCY
The much-anticipated mythological epic Ramayana has made a powerful impact at CinemaCon, signaling a major shift in how Indian films are being positioned on the global stage. A widely circulated invite by exhibition industry veteran John Fithian called attendees to experience the world of Ramayana at the Milano III Ballroom, where exclusive footage and presentations were showcased. The tone of the message was clear and confident, suggesting that the film is not just another large-scale Indian production but a serious attempt at creating a truly global blockbuster that can stand alongside the biggest Hollywood franchises. This presence at CinemaCon was not symbolic but strategic, as the makers organized private screenings, industry interactions, and large-scale presentations aimed at key distributors and exhibitors from across North America, Europe, Latin America, and Australia. Such a focused international outreach is rarely seen for an Indian film at this level and highlights the intent to secure a wide and impactful global release. The film's positioning among major Hollywood titles at the event further reinforced its ambition to compete on a worldwide scale rather than being confined to regional success. Producer Namit Malhotra played a central role in communicating this vision, emphasizing that global audiences are now actively seeking fresh stories and new cultural perspectives. He described Ramayana as a project that blends universal emotions with cutting-edge technology, aiming to deliver an experience that resonates across borders. His statements reflected a strong belief that Indian storytelling, when presented with the right scale and technical finesse, has the potential to achieve global dominance and redefine industry benchmarks. Adding to the excitement, actor Yash, who portrays Ravana in the film, also contributed to the growing buzz with insights into the narrative structure and character treatment. It was revealed that the first part of the film may explore parallel arcs, with limited direct interaction between key characters early on, suggesting a layered storytelling approach that builds towards a larger conflict. Early glimpses and visual material showcased at the event reportedly impressed attendees, particularly in terms of costume design, world-building, and visual effects quality. (adsbygoogle = window.adsbygoogle || []).push({}) Directed by Nitesh Tiwari, Ramayana is being developed as a two-part cinematic epic with a scale that is unprecedented in Indian cinema. The film features Ranbir Kapoor as Lord Ram, Sai Pallavi as Sita, and Yash as Ravana, forming a powerful ensemble cast that combines star power with strong acting credibility. The project is backed by major production houses and international collaborators, ensuring that both creative and technical aspects meet global standards. One of the most talked-about aspects of the film is its massive budget, which is reported to be among the highest ever for an Indian production. This financial scale is being utilized to create world-class visual effects, detailed set designs, and immersive storytelling techniques that aim to rival top-tier global films. The makers are also investing heavily in advanced technology, including high-end VFX pipelines and innovative cinematic tools, to ensure that the film delivers a visually spectacular experience. The musical dimension of Ramayana further elevates its global appeal, with legendary composer AR Rahman collaborating with internationally acclaimed composer Hans Zimmer. This rare partnership is expected to produce a powerful and emotionally resonant soundtrack that complements the film's grand narrative while also appealing to international audiences. The release strategy is equally ambitious, with the first part scheduled for a Diwali 2026 release followed by the second instalment in 2027. The makers are planning a wide multi-language release along with advanced dubbing and localization techniques to ensure accessibility across global markets. This approach reflects a clear intention to position Ramayana not just as an Indian film but as a worldwide cinematic event.
Bollywood
BY CHRISTA LINCY
The much-awaited third instalment of the Force franchise Force 3 is officially underway with John Abraham Harshvardhan Rane and Tanya Maniktala leading the film. The shoot has commenced and the project is already deep into its first schedule indicating a well-planned production timeline. The makers have locked 19 March 2027 as the theatrical release date positioning the film as a major action event on the calendar and raising expectations among fans of the franchise. Directed by Bhav Dhulia the film marks a new phase for the Force universe as it attempts to reinvent itself while staying rooted in its core identity of gritty action and intense storytelling. The project is backed by a strong production team including John Abraham Sheel Kumar Shahbaz Alam Sandeep Leyzell and Minnakshi Das. With Ravi Basrur handling the music the film is expected to carry a powerful background score that complements its action-heavy narrative and enhances the theatrical experience. The initial shooting schedule has taken place in Gujarat with a major portion focusing on Harshvardhan Rane and Tanya Maniktala. This approach suggests that the film may open with new character arcs before bringing John Abraham into the central conflict. John who joined during the mahurat ceremony is expected to feature prominently in the upcoming schedules where the narrative is likely to shift into a larger action-driven space. The Force franchise has had a mixed but interesting journey at the box office which makes the third instalment even more crucial. The first film Force introduced audiences to ACP Yashvardhan Singh and went on to collect around 36.66 crore India gross with a worldwide total of 40.28 crore while the India net stood at 27.16 crore. Despite its strong action appeal and eventual cult following the film was declared a flop during its theatrical run although it gained popularity later through television and digital platforms. (adsbygoogle = window.adsbygoogle || []).push({}) The sequel Force 2 attempted to expand the scale by introducing an international espionage angle and a more stylized treatment. The film recorded an India gross of 48.20 crore and a worldwide total of 58.70 crore with 10.50 crore coming from overseas markets while the India net closed at 35.70 crore. However despite the improved numbers the film was again declared a flop which highlighted the challenges the franchise faced in converting scale into commercial success. With Force 3 the makers are aiming to change that narrative by combining the raw intensity of the first film with the scale and ambition of the second. The addition of new cast members and a fresh director indicates a conscious effort to evolve the storytelling while retaining the core character of ACP Yashvardhan Singh who remains central to the franchise. John Abraham returns to reprise his role as ACP Yashvardhan Singh a character that has become synonymous with his action image. Over the years John has established himself as one of the most reliable action stars in Bollywood with films like Pathaan further strengthening his box office pull and screen presence. His return ensures continuity while also providing a solid foundation for the new narrative. Harshvardhan Rane enters the franchise at a crucial point in his career as he rides strong momentum. His film Sanam Teri Kasam found renewed success over time and built a loyal fan base while Ek Deewane Ki Deewaniyat delivered a successful theatrical run crossing the 100 crore mark worldwide. Known for his intense performances and emotional depth Harshvardhan is expected to bring a different energy to the franchise possibly as a parallel lead or a character with shades of grey. Reports also suggest that he is undergoing a significant physical transformation to match the action demands of the film. (adsbygoogle = window.adsbygoogle || []).push({}) Tanya Maniktala adds freshness to the cast with her growing popularity across films and streaming platforms. After gaining attention for her performances in projects like A Suitable Boy and Kill she has proven her ability to handle both emotional and intense roles. In Force 3 she is expected to play a significant part in the storyline potentially adding emotional weight or being directly involved in the central conflict. Director Bhav Dhulia is known for his grounded and realistic storytelling especially in the crime drama space. His work in Khakee The Bihar Chapter was appreciated for its gripping narrative and character depth which suggests that Force 3 may focus more on story-driven action rather than just spectacle. This could be a key factor in helping the franchise connect better with audiences this time. The music and background score by Ravi Basrur is expected to play a crucial role in defining the film's tone. Known for creating high-impact soundtracks that elevate action sequences he could add a distinct identity to Force 3 making it stand out in a crowded action genre. With the shoot progressing steadily and the release date locked Force 3 is shaping up to be a crucial film not just for the franchise but also for its lead actors. After two films that underperformed commercially the third instalment carries the responsibility of delivering both critical and box office success. If executed well it has the potential to revive the franchise and establish it as a consistent action brand in Bollywood.
Bollywood
BY SUNIT JANGIR
Mumbai, April 14 - The much-awaited first look teaser of Hai Jawani Toh Ishq Hona Hai has finally dropped, giving audiences a glimpse into a vibrant, chaotic romantic comedy led by Varun Dhawan, Mrunal Thakur, and Pooja Hegde. Directed by David Dhawan, the film promises a return to his signature style of light-hearted humour, love triangles, and high-energy entertainment. The teaser has largely struck a positive chord with viewers for its colourful presentation, peppy vibe, and nostalgic throwback to classic Bollywood rom-coms. With strong chemistry between the leads and a lively narrative setup, the film appears to be targeting a mass audience, especially the youth. (adsbygoogle = window.adsbygoogle || []).push({}) However, despite the entertaining first impression, online discourse has quickly shifted focus. A section of netizens has sparked a debate around the use of AI-related elements in the teaser. While some viewers are intrigued by the experimentation, others have raised concerns about authenticity and over-reliance on technology in filmmaking. The teaser opens with AI-generated toddlers speaking about their parents, hinting at a tangled relationship dynamic involving one man and two women. While the situation has managed to click with the audience, the use of technology to present two children has been called out, saying that such practices neglect actual filmmaking. (adsbygoogle = window.adsbygoogle || []).push({}) This unexpected has somewhat overshadowed the teaser's reception, turning what could have been a straightforward promotional win into a divided conversation online. The AI angle, in particular, has become a talking point, with audiences debating whether such tools enhance creativity or dilute the human touch in cinema. It will be interesting to see if the makers stick to AI use in the next promotional content or if they take the feedback seriously. The film, produced under Tips Films, remains one of the most anticipated Bollywood entertainers of 2026, with expectations riding high on its music, humour, and star power. It is scheduled to be released on May 22. (adsbygoogle = window.adsbygoogle || []).push({}) Stay tuned...
Bollywood
BY CHRISTA LINCY
Namit Malhotra, the head of DNEG and Prime Focus, has confirmed that he is moving ahead with the Astraverse. He will be leading the production for the next chapter, titled Brahmastra: Part Two – Dev. Malhotra is already a major name in the industry as the producer of the massive Ramayana project, which is being made on a record-breaking budget of nearly ₹4000 crore. By taking charge of the Brahmastra sequel, he plans to bring that same massive scale and world-class visual effects to the franchise. The decision to continue the story follows the strong box office performance of the first film. Brahmastra: Part One – Shiva was a hit, earning an India net collection of ₹267.20 crore. The Hindi version alone contributed ₹247.37 crore to that total. Globally, the movie grossed ₹431 crore, with around ₹115.50 crore coming from overseas markets. These numbers proved to the producers that there is a huge global audience for this mythological fantasy world. The journey of the first film was a long and ambitious one, starting all the way back in 2011 when the idea was first conceived. Production officially began in 2018, making it one of the longest-produced movies in Indian history. With a massive budget estimated at over ₹400 crore, it was a high-stakes project that faced several delays due to complicated visual effects and the pandemic before finally releasing in September 2022. It also marked the first major release under the Star Studios banner. The film introduced audiences to the Astraverse, a unique world inspired by Indian mythology where weapons are powered by natural elements. To achieve this, the team worked closely with the VFX studio DNEG, which is famous for its work on major Hollywood hits like Dune and Inception. The first part was a major collaboration between several big industry names. It was produced by Karan Johar, Apoorva Mehta, Namit Malhotra, and director Ayan Mukerji under the Dharma Productions banner. Star Studios and Prime Focus also played key roles in the production, and lead actor Ranbir Kapoor even served as a producer. This team worked together for years to build the visual foundation of the Astras, which will now be taken to the next level in the sequel. (adsbygoogle = window.adsbygoogle || []).push({}) The upcoming film, titled Brahmastra: Part Two – Dev, was designed to focus on the love story between Dev and Amrita, a narrative that was first teased during the climax of the first part. This storyline is expected to be much more intense and emotional than the previous chapter. Back in October 2025, Ayan Mukerji had shared photos from a mountain getaway where he was seen working on a script. Although he did not mention the movie by name, his use of hashtags like Part 2 and Om suggested that the groundwork for the sequel was being finalized during that time. Earlier, in March 2025, Ranbir Kapoor had also confirmed that the project was definitely moving forward and was being designed as a massive theatrical event. At that time, it was understood that full-scale production would wait until the director had finished his other major film commitments. With those prior projects now out of the way, the team is fully concentrated on bringing the world of the Astras back to the big screen. The involvement of Namit Malhotra has added a lot of weight to these plans, especially following his appearance at CinemaCon 2026 in Las Vegas. While he was at the event to promote his other magnum opus, Ramayana, his presence at such a major global platform showed the level of ambition he has for Indian cinema. As the focus now shifts back to the Astraverse, fans are expecting a cinematic experience that matches the global standards seen in his other high-budget ventures.
Bollywood
BY SUNIT JANGIR
Mumbai, April 14 - After delivering a breakout performance in Saiyaara, Ahaan Panday is quickly emerging as one of Bollywood's most promising young stars. Following his impressive debut under Mohit Suri, the actor is now gearing up for an exciting lineup that includes a reunion with the filmmaker for his third film. Before that, Ahaan is currently shooting for his second film, a romantic action entertainer directed by Ali Abbas Zafar. Backed by Yash Raj Films, the project marks a significant shift in his on-screen persona and scale. The yet untitled film was recently confirmed, with shooting officially kicking off. (adsbygoogle = window.adsbygoogle || []).push({}) Ahaan Panday's Intense Transformation For Ali Abbas Zafar's Film In a major departure from his debut role, Ahaan will reportedly be seen playing a ruthless gangster in the upcoming action-romance, according to Variety India. The character is said to be raw, aggressive, and emotionally layered, blending romance with high-octane action. It will be completely the opposite of what Ahaan did in his debut movie. To prepare for the role, the actor has undergone intense physical training, including hand-to-hand combat and weapon handling, signalling a complete transformation from his earlier image of a troubled musician in Saiyaara. The film also stars Yash Raj Films' home-grown talent Sharvari Wagh, along with Bobby Deol and Aaishvary Thackeray in key roles, and will be shot across India and international locations. (adsbygoogle = window.adsbygoogle || []).push({}) Reunion With Mohit Suri On The Cards For Third Film Amid all this, Variety also reports that Ahaan Panday will reunite with Mohit Suri for his third film, continuing their successful collaboration after Saiyaara. The duo's first outing turned into a major commercial success and established Ahaan as a bankable young face in the industry. While the details about this third project are still under wraps, it is said to be a romantic drama, to be produced by Yash Raj Films again. The reunion indicates a long-term creative partnership between the actor and director, especially in the romantic genre, where Suri has consistently excelled. With a strong production house backing him and filmmakers like Ali Abbas Zafar and Mohit Suri guiding his journey, Ahaan Panday is clearly positioning himself as a versatile performer ready to explore both romance and action on a grand scale.
Bollywood
BY SUNIT JANGIR
Mumbai, April 13 - Superstar Akshay Kumar's much-awaited horror-comedy Bhooth Bangla has completed censorship formalities, ahead of its release on April 17, with paid previews on April 16 from 9 PM. The film's theatrical runtime has officially been revealed, which suggests it will be one of Akshay's longest films. After much anticipation, Bhooth Bangla has been granted a UA 16+ certificate by the Central Board of Film Certification (CBFC). The CBFC has asked for a few changes, including a couple of obscene words, which were replaced. The makers were also reportedly asked to include disclaimers for the religious and superstitious references in the film. (adsbygoogle = window.adsbygoogle || []).push({}) Along with the certification, the film's final runtime has been confirmed at 2 hours and 45 minutes (165 minutes). Earlier reports hinted at a longer duration, but the makers have opted for a slightly trimmed version to ensure a tighter and more engaging narrative. Despite the edit, the runtime still suggests a packed entertainer with ample room for both humour and horror-driven sequences. Directed by Priyadarshan, Bhooth Bangla marks a much-awaited reunion between the filmmaker and Akshay Kumar, a duo known for delivering several iconic comedy films over the years. This collaboration has significantly raised expectations, especially among fans who are eager to see their signature style return on the big screen. (adsbygoogle = window.adsbygoogle || []).push({}) The buzz around the film, which also stars Wamiqa Gabbi, Tabu, Paresh Rawal, Rajpal Yadav, Asrani, and Mithila Palkar in key roles, is steadily building, and with advance bookings set to open on April 14, the stage is set for what could be one of the most entertaining releases in the horror-comedy space this year.
Bollywood
BY SUNIT JANGIR
Mumbai, April 12 - The release plans for Varun Dhawan-fronted Hai Jawani Toh Ishq Hona Hai continue to evolve as the makers fine-tune their box office strategy. The much-awaited romantic entertainer, also starring Mrunal Thakur and Poorja Hegde, has now undergone yet another shift in its release timeline, adding to the growing curiosity around the film. Initially planned for an April 2026 release, the film was first postponed to June 5, 2026, before being officially rescheduled to June 12, 2026. The change was largely attributed to a crowded release calendar, with multiple big-ticket films eyeing the same window. The makers were keen to ensure that the film gets a solo run, especially considering its mass appeal and family-friendly genre. (adsbygoogle = window.adsbygoogle || []).push({}) However, the latest developments suggest a significant change in plans. On Sunday (April 12), the makers officially announced that the film will now be released earlier on May 22, with a first look glimpse coming tomorrow, on April 13. The decision is taken keeping the best interest of the movie as far as the box office is concerned. Hai Jawani Toh Ishq Hona Hai marks the much-anticipated reunion between Varun Dhawan and his father, David Dhawan, a duo known for delivering crowd-pleasing entertainers. With a fresh pairing alongside Pooja Hegde and Mrunal Thakur, the film promises a mix of romance, comedy, and classic Bollywood charm, reminiscent of the director’s earlier hits. Stay tuned...
Bollywood
BY SUNIT JANGIR
Mumbai, April 10 - Sunny Deol has been on a roll since the blockbuster hit Gadar 2 in 2023. After back-to-back successes, the actor is set to roar back with an action thriller film with Kill director Nikhil Nagesh Bhatt. The duo has been in talks for quite some time now, and have locked their maiden collaboration together. Sunny Deol and Nikhil Bhatt's Film Titled Lakhan While the official announcement of the project is yet to be made, according to the report by Pinkvilla, the film has been titled Lakhan. The film is reportedly being designed as a larger-than-life action entertainer packed with adrenaline-pumping sequences, powerful dialogues, and crowd-pleasing whistle-worthy moments that will showcase Sunny Deol in full action avatar. (adsbygoogle = window.adsbygoogle || []).push({}) Lakhan Shoot Begins In October 2026 The pre-production work of Lakhan has already begun, and the makers aim to take the film on floors by October this year. The film has generated massive buzz among the fans and the trade alike, especially after Bhatt's gritty action vision in Kill, which won critical acclaim and also emerged as a success at the box office with around 50 crores gross worldwide. (adsbygoogle = window.adsbygoogle || []).push({}) Meanwhile, Sunny Deol will next be seen in an emotional action drama, Gabru, which is scheduled to release in the next couple of months. Later this year, the actor will appear in director Nitesh Tiwari's epic, Ramayana, in which he plays the role of Lord Hanuman, alongside Ranbir Kapoor as Ram, Ravi Dubey as Lakshman, Sai Pallavi as Sita, and Yash as Raavan. The first part of the film is scheduled to hit the big screens on Diwali this year.
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Bollywood
BY SUNIT JANGIR
Mumbai, April 17 - Bollywood superstar Ranbir Kapoor is currently going through what industry experts call the "Golden Phase" of his career. Following the historic box office success of Animal (2023), the actor has strategically chosen a lineup that balances grandeur with gritty action and high-concept drama. While it may have been over 2 years since Ranbir has had a release after Animal, the next few years will probably see at least one film of the actor hitting the big screens. Here is a deep dive into Ranbir Kapoor's films that will define Indian cinema over the next three years. (adsbygoogle = window.adsbygoogle || []).push({}) 1. Ramayana Parts 1 & 2 Director Nitesh Tiwari is currently helming what is arguably the most ambitious project in Indian cinematic history. Ranbir Kapoor steps into the role of Lord Ram, a performance that reportedly required months of physical transformation and vocal training, which is reflected in the first look teaser, though it doesn't have any dialogue. (adsbygoogle = window.adsbygoogle || []).push({}) The scale of this production is unprecedented, and the makers gave a glimpse of that by launching the first look teaser recently, after earlier showing the vision. The ensemble cast is equally legendary, featuring Sai Pallavi as Sita, Yash as Ravana, and Sunny Deol as Hanuman. Part 1 is scheduled for a grand Diwali 2026 release, with Part 2 following exactly a year later. 2. Love & War (adsbygoogle = window.adsbygoogle || []).push({}) In a massive casting coup, filmmaker Sanjay Leela Bhansali has reunited Ranbir Kapoor with Alia Bhatt and Vicky Kaushal for a period romantic war drama, Love & War. This marks Ranbir's first collaboration with Bhansali since his debut in Saawariya (2007). Unlike Bhansali’s recent period pieces, this film is described as a "contemporary war-backed romance." With a release date locked for January 21, 2027, after being postponed multiple times, the film is expected to dominate the Republic Day holiday window with its blend of intense emotion and visual splendour. (adsbygoogle = window.adsbygoogle || []).push({}) 3. Animal Park Sandeep Reddy Vanga's action thriller Animal was a polarising juggernaut, and its sequel, Animal Park, is already one of the most searched upcoming titles. Ranbir will expand his role, playing both the protagonist Ranvijay and the menacing antagonist Aziz. The script is currently being finalised, with filming expected to commence once Vanga completes his project Spirit with superstar Prabhas. Fans should expect an even darker, more visceral exploration of the family's violent legacy sometime in late 2028. (adsbygoogle = window.adsbygoogle || []).push({}) 4. Dhoom 4 Perhaps the most surprising addition to his roster is the reboot of the Dhoom franchise. While there is no official confirmation yet, Ranbir is set to take over the mantle of the sophisticated "anti-hero" in Dhoom 4. The film aims to modernise the heist-action genre for a global audience. The shooting timeline is yet unknown, but if all goes well, the film may hit the big screens in 2028. 5. Brahmāstra: Part Two – Dev (adsbygoogle = window.adsbygoogle || []).push({}) Amid the uncertainty over its future, Ramayana producer Nitesh Tiwari recently confirmed that he will take care of Brahmastra 2 after Ramayana. The first film was produced by Dharma Productions and Star Studios. Except for the fact that the movie is on, there is no concrete development in it yet. Director Ayan Mukerji is currently busy with scripting, and if things go as planned, the movie might go on floors next year for a 2028 or 2029 release.
Bollywood
BY SUNIT JANGIR
Mumbai, April 17 - In a major update that has grabbed attention across the industry, Kangana Ranaut has confirmed that Queen 2 is officially in the works. During a podcast with Samita Prakash of ANI, the actress confirmed that she is reuniting with Vikas Bahl for the much-awaited sequel. Queen 2 Finally Confirmed (adsbygoogle = window.adsbygoogle || []).push({}) The news about Queen 2 had already been out in the media with reliable reports confirming that the movie had been in the making. During a recent interaction, Kangana revealed that she is returning to acting and will collaborate once again with director Vikas Bahl on the sequel to Queen. The film, which has been in discussion for years, is now moving forward, bringing back one of Bollywood's most loved characters, Rani. The original Queen (2014) followed the journey of a simple Delhi girl who discovers herself during a solo trip to Europe. The film became a cultural milestone and earned Kangana widespread acclaim, including a National Award. It was a box office hit, grossing close to 100 crores worldwide, as one of the highest-grossing films in Kangana's career. (adsbygoogle = window.adsbygoogle || []).push({}) Kangana Calls Dhurandhar A Game Changer Apart from confirming her upcoming project, Kangana also spoke highly of Dhurandhar, crediting it for bringing momentum back to Bollywood. The film, which has performed exceptionally well at the box office, is being seen as a turning point for the industry. Kangana emphasised that films like Dhurandhar are a cultural moment in Bollywood, and that it will shift the narrative within the industry. She said that the audience was moving away from Bollywood because of its non-relatable content, but Dhurandhar (both parts) has brought the confidence back and is proving to be a revival of the industry. (adsbygoogle = window.adsbygoogle || []).push({}) A Positive Phase For Bollywood Kangana's comments reflect a growing sentiment in the industry that Bollywood is gradually bouncing back after a challenging phase. With big-ticket films performing well and content-driven cinema finding its audience again, there is renewed optimism among filmmakers and actors alike. The confirmation of Queen 2, combined with the success of films like Dhurandhar, signals a promising time ahead for Hindi cinema.
Bollywood
BY SUNIT JANGIR
Mumbai, April 16 - Rumours have been circulating that superstar Salman Khan's much-anticipated film Maatrubhumi, which was originally titled Battle of Galwan, might opt for a direct OTT release. The speculation gained traction after reports of delays and production-related hurdles began surfacing online, raising concerns about the film's theatrical prospects. However, the latest developments suggest that these reports are largely unfounded. According to Bollywood Hungama, Maatrubhumi is still intended for a theatrical release, and there are currently no plans to premiere the film directly on any digital platform. The makers, along with Salman Khan, are said to be keen on bringing the film to the big screen, despite the challenges. (adsbygoogle = window.adsbygoogle || []).push({}) The rumours initially picked up pace due to multiple delays in the film's schedule. Reports indicate that Maatrubhumi has undergone reshoots and faced certain clearance-related challenges, which slowed down its progress. Given the scale of the project and its sensitive theme, these delays were interpreted by some as a sign of a possible shift to OTT. Directed by Apoorva Lakhia, Maatrubhumi is a war drama inspired by real-life events, making it a film designed for a grand cinematic experience. This is one of the key reasons why the makers are not considering bypassing theatres altogether. As of now, the film's release date remains uncertain, with an official announcement expected once production formalities are fully completed. (adsbygoogle = window.adsbygoogle || []).push({}) Despite the ongoing speculation, Maatrubhumi is being positioned as a big-screen spectacle rather than a direct-to-digital release. While the OTT rumours created a buzz among fans, they don't reflect the current plan. Salman Khan's Maatrubhumi is still on track for a theatrical release, and audiences may have to wait a bit longer to witness it on the big screen.
Bollywood
BY SACNILK TEAM
Mumbai, April 16 - Bollywood superstar Akshay Kumar-fronted much-awaited horror-comedy Bhooth Bangla is all set to begin its theatrical rollout through paid previews from 9 PM on April 16. Ahead of the release, the film had a screening for the critics and media people, and the initial reaction seems to be very positive. Directed by Priyadarshan, Bhooth Bangla marks the director's reunion with Akshay Kumar after many years, and the combo seems to have struck a chord again with the critics as far as reactions are concerned. The full-fledged release of the movie is scheduled for April 17. (adsbygoogle = window.adsbygoogle || []).push({}) Produced by Balaji Motion Pictures and Cape of Good Films, Bhooth Bangla also stars Wamiqa Gabbi alongside Tabu, Paresh Rawal, Rajpal Yadav, Asrani, and Mithila Palkar, among others, in key roles. Here is what critics are saying about the horror-comedy. #OneWordReview...#BhoothBangla: ENTERTAINER.Rating: ⭐️⭐⭐️½An entertainer that works for most parts... The #AkshayKumar - #Priyadarshan combo doesn't disappoint – the chills and chuckles are in equal measure. #BhoothBanglaReviewThe initial sequences may give an impression… pic.twitter.com/oCGAGEaP3P— taran adarsh (@taran_adarsh) April 16, 2026 (adsbygoogle = window.adsbygoogle || []).push({}) #BhoothBangla : ⭐️⭐️⭐️⭐️ It unfolds as a layered supernatural tale rooted in the eerie legend of Vadhusur and a village long possessed by his dark presence, including the haunted bungalow itself. Beneath the horror lies an intriguing backstory that slowly reveals itself, adding… pic.twitter.com/LcqcfRGM62— Ramesh Bala (@rameshlaus) April 15, 2026 (adsbygoogle = window.adsbygoogle || []).push({}) Just finished watching #BhoothBangla...huge fun,couldnt stop chuckling at #AkshayKumar's antics.This is Priyadarshan doing the hera pheri only he knows how to do best— Subhashk Jha (@SubhashK_Jha) April 15, 2026 Watched #BhoothBangla last night, and must admit - Priyadarshan has put his soul to this one: it not only captured comedy & confusion but also the ghostly world well, be it black magic or demons leading the pack, a good research makes the work easy! @akshaykumar has experiment… pic.twitter.com/GurIVRitvo— Samina Shaikh 🇮🇳 (@saminaUFshaikh) April 15, 2026 (adsbygoogle = window.adsbygoogle || []).push({}) Akshay Kumar is back in the genre he is superb at! He and Ekta Kapoor's Bhooth Bangla bring back the fever of horror comedy in real sense! Priyadarshan has used all the actors really very well and the situational comedy in the film is over the top, non-stop entertainment from… pic.twitter.com/n7l9JU5E7j— Upala KBR ❤ (@upalakbr999) April 15, 2026 Akshay Kumar and Priyadarshan recreate their legendary magic in Bhooth Bangla, delivering a perfect blend of nostalgic comedy and spine-chilling thrills that keeps you hooked until the very end!Rating : 4 starsFull Review coming soon @TV9Bharatvarsh #BhoothBangla… pic.twitter.com/ScWOn65zgi— Sonali Naik (@oneanonlysonali) April 15, 2026 (adsbygoogle = window.adsbygoogle || []).push({}) #BhootBangla Review‘A Laughter Riot by the Akshay, Paresh, Rajpal Trio...’RJ #DivyaSolgama (4/5) | Full Review Coming Soon...@priyadarshandir @akshaykumar@SirPareshRawal @EktaaRKapoor@rajpalofficial @WamiqaG@Jisshusengupta @actormanojjoshi@mipalkar @ZeeMusicCompany… pic.twitter.com/F2dqEvtolk— RJ🇬️9⃣ Divya (दिव्य) Solgama (@DIVYASOLGAMA) April 15, 2026
Bollywood
BY SUNIT JANGIR
Mumbai, April 10 - Director Aditya Dhar's Dhurandhar 2: The Revenge continues its phenomenal box office run, delivering a massive third week at the domestic box office. The Ranveer Singh starrer has collected over 100 crore net in its third week (Hindi), maintaining its record-breaking momentum. 100+ Crore Net Third Week In Hindi The film raked in approximately 104.50 crore net in its third week in Hindi, surpassing the third-week Hindi collections of Pushpa 2, which stood at 103 crore. However, despite this strong performance, it couldn't match the extraordinary third-week figure of its predecessor, Dhurandhar, which had amassed a staggering 172 crore net. (adsbygoogle = window.adsbygoogle || []).push({}) Unlike the first film, which witnessed exceptional growth driven by strong word of mouth, Dhurandhar 2 has been heavily frontloaded. The sequel opened to massive curiosity and hype, largely fueled by the legacy of the original film and strong audience anticipation. Top 5 Biggest Third Week In Hindi S. No. Movie 3rd Week Net Collection 1 Dhurandhar ₹ 172 Cr 2 Dhurandhar 2 ₹ 104.50 Cr 3 Pushpa 2 ₹ 103.05 Cr 4 Chhaava ₹ 84.05 Cr 5 Stree ₹ 70.20 Cr (adsbygoogle = window.adsbygoogle || []).push({}) With its consistent performance, the film has already crossed the 1000 crore mark across all versions and is now inching closer to achieving a historic milestone - 1000 crore net in Hindi alone. It has already amassed over 980 crore net, and will be opening this exclusive club this weekend. How Far Dhurandhar 2 Can Go In Hindi? Dhurandhar 2 has already sold over 3.50 crores tickets in Hindi and is around the first film's 3.70 crores lifetime admissions. While the trajectory of the sequel is slowing down as compared to the first film, it should still be able to hit 4 crore admissions in the original Hindi version, which keeps it on course to finish around 1100 crores net in the Hindi version alone. (adsbygoogle = window.adsbygoogle || []).push({}) The trade was expecting Dhurandhar 2 to finish its Hindi run at around 1200+ crores net, which might not be possible now, given the trend and new releases next week. Irrespective of where the film ends its theatrical run, it has already etched its name in history and created records which will be hard nut to crack for upcoming films. In the immediate future, Ramayana is coming later this year, which has the potential to beat Dhurandhar 2's numbers, which needs to be seen.
Bollywood
BY SUNIT JANGIR
Mumbai, April 9 - The debate around all-time box office blockbuster Dhurandhar 2: The Revenge refuses to die down, but filmmaker Sandeep Reddy Vanga has stepped in firmly in support of the film and its director Aditya Dhar. As the film faces criticism from certain sections, accusing it of pushing a political narrative, Vanga dismissed the noise and instead praised the film for its storytelling and execution. SRV Comes Out in Support, Calls It an "Outstanding Film" Reacting to the ongoing discourse, Vanga didn't mince words. He described Dhurandhar 2 as an "outstanding film", applauding Dhar's vision and conviction. According to him, cinema should not be restricted by labels or external narratives, and filmmakers must be free to tell stories they believe in. (adsbygoogle = window.adsbygoogle || []).push({}) Taking to the X, Vanga blasted off propaganda gang, while calling out their hypocrisy. "Writers & actors built careers on propaganda, and the industry stayed quiet like cats. Now the same clan mocks Dhurandhar. You don't get to call yourself liberal if your first instinct is to Mock. Don't know when truth started getting labelled as propaganda...... strange times", he said. Talking about the film, Vanga said that he watched it last night and called it an outstanding film. "COMING TO THE POINT..... I want to tell @AdityaDharFilms & @RanveerOfficial yeh kaala drishti aise nahi jaayega... Muthi bhar ke laal mirch se kaam nahi chalega.... poora khet jalana padega 🔥 Watched #Dhurandhar2TheRevenge last night.... Outstanding film". Writers & actors built careers on propaganda, and the industry stayed quiet like cats. Now the same clan mock Dhurandhar. You don’t get to call yourself liberal if your first instinct is to Mock. Don’t know when truth started getting labeled as propaganda...... strange times.…— Sandeep Reddy Vanga (@imvangasandeep) April 9, 2026 (adsbygoogle = window.adsbygoogle || []).push({}) The Propaganda Debate Since its release, Dhurandhar 2 has sparked conversations around whether it leans into propaganda. While critics argue that the film carries a certain ideological tone, supporters claim it is simply a hard-hitting narrative rooted in realism and creative interpretation. Vanga's backing adds weight to the latter argument, especially given his reputation for making bold and unapologetic films. Industry Voices Matter (adsbygoogle = window.adsbygoogle || []).push({}) Support from a filmmaker like Sandeep Reddy Vanga is significant, as he himself is no stranger to polarising reactions. His endorsement signals a larger conversation within the film industry about creative freedom and audience interpretation. Meanwhile, Aditya Dhar has remained largely focused on the film's reception, letting the audience response speak louder than the controversy. Whether one sees Dhurandhar 2 as provocative or powerful, there's no denying that it has struck a chord, and the box office numbers are proof of that. The film continues to storm the box office and is heading towards 1700 crores worldwide. With influential voices like Vanga stepping in, the film's cultural and cinematic impact continues to grow.
Bollywood
BY SUNIT JANGIR
Mumbai, April 9 - Dhanush and Kriti Sanon are reportedly set to reunite once again with filmmaker Aanand L Rai, following the success of romantic drama Tere Ishq Mein last year. The trio is reportedly discussing a big-budget period romantic drama film, which is currently in early development. Reunion After Tere Ishk Mein Following their collaboration in Tere Ishk Mein, the trio of Dhanush, Kriti Sanon, and Aanand L Rai has become one of the most talked-about actor-director combinations. Their previous film marked Rai and Dhanush's reunion after Raanjhanaa and continued their streak of emotionally intense storytelling. (adsbygoogle = window.adsbygoogle || []).push({}) According to Pinkvilla, the director is keen on bringing the duo back together for another project, which is said to be a period love story. The makers are currently in talks as the writing work is in full swing. Both Dhanush and Kriti Sanon have responded positively to the script, and if all goes well, the film is expected to go on floors by the end of this year. Madhubala Biopic In The Making It is one of the projects which has been in the news for quite some time now. Recently, it was reportedly that Kiara Advani was roped in to play Madhubala, but things seem to have changed pretty quickly. As per Pinkvilla, Dhurandhar breakout star Sara Arjun, who has been making waves with her performance in the film, has been assigned to play the legendary actress. (adsbygoogle = window.adsbygoogle || []).push({}) The young actress has reportedly been locked to play Madhubala, to be directed by Darlings fame Jasmeet K Reen and produced by Sanjay Leela Bhansali. The film, which is currently in pre-production, is expected to go on floors later this year and promises to be an ambitious cinematic experience rooted in the golden era of Hindi cinema.
Bollywood
BY SACNILK TEAM
There was a time when opening day numbers carried a sense of surprise. A film could build modestly in the days before release and still shock the trade once footfalls actually began. That kind of uncertainty has not disappeared entirely, but it has become far less common. In today’s Hindi, Telugu, Tamil, and pan-India box office environment, advance booking has started to tell a clearer story much earlier. For trade watchers, exhibitors, and even ordinary moviegoers who follow collection updates closely, pre-release ticket sales now offer one of the strongest early signals of where a film may be headed. They do not reveal everything, but they reveal enough to shape expectations with far more confidence than before. Why the Pre-Release Window Matters More Now The shift is not happening by accident. Indian moviegoing has become more front-loaded, especially for star-led releases and heavily marketed event films. Audiences often decide early whether a title feels worth the big-screen experience. Once that decision is made, it starts showing up in booking data well before the first show begins. This early momentum also reflects a wider digital culture in which access, predictability, and planned viewing matter more than they once did. That broader online behaviour helps explain why many users now pay attention to stable personal access tools too, whether for work, streaming, or day-to-day browsing. For some, something like PIA dedicated ip becomes part of that more controlled digital routine. In box office terms, advance booking is no longer just a side metric. It is often the first measurable sign of audience intent. What Advance Sales Can Actually Tell Us Strong advance bookings usually point to one of three things. The first is star pull. The second is effective pre-release marketing. The third is confidence among audiences that the film offers a theatrical experience worth showing up for early. That does not mean a high advance number guarantees a long run. Word of mouth still matters. Reviews still matter. Weekend holds still matter. But when a film opens with heavy pre-sales across major circuits, it usually means awareness has already turned into action. That is a major difference. A useful way to look at this comes from a study on film marketing and pre-release box office performance, which explores how marketing activity before release can shape early commercial results. That relationship is easy to see in India, where songs, trailers, fan-driven hype, and city-wise booking pace often create strong momentum before the first public reaction even lands. Why India’s Market Makes This Trend More Visible India is especially suited to this pattern because theatrical success here is still driven heavily by opening weekend energy. Once a film catches attention, the first few days become crucial. A powerful booking trend in national chains and key centres can influence trade perception, social media conversation, and even last-minute audience decisions. This is why advance booking has become more than just a number to report. It now acts like an early reading of public confidence. If the interest is broad, fast, and visible across markets, the opening usually reflects it. A Signal, Not the Full Story Advance booking works best as a predictor when it is read with context. Genre matters. Holiday timing matters. Ticket pricing matters. Regional strength matters. Even then, it has clearly become one of the most useful pre-release indicators in the Indian box office conversation. The reason is simple. It shows when curiosity turns into commitment. And in a market where the opening weekend can define the entire theatrical narrative, that kind of signal has become too important to ignore.
Bollywood
BY SUNIT JANGIR
Mumbai, April 8 - The debate around Bollywood's "insider ecosystem" has flared up again, this time sparked by a viral joke and a sharp industry response. Filmmaker Siddharth Anand has seemingly taken a dig at comedian Zakir Khan following the historic success of Dhurandhar 2, putting the spotlight firmly back on the much-discussed "Juhu-Bandra" narrative. What Was Zakir Khan's Joke That Sparked Debate During a recent awards event, Zakir Khan took a humorous swipe at Bollywood, suggesting that the industry, particularly the elite circles of Mumbai's Bandra and Juhu, was feeling uneasy about Dhurandhar 2's massive success. He said that no matter how much the Bollywood people praise Dhurandhar on social media or in interviews, the fact is that people of Juhu and Bandra are jealous of the success of Dhurandhar 2. (adsbygoogle = window.adsbygoogle || []).push({}) His now-viral line implied that while the "blast" of success happened elsewhere, the "smoke" was visible in these Bollywood hubs, hinting at insecurity within the industry. The comment quickly gained traction online, resonating with those who believe Bollywood has grown disconnected from audiences beyond metro cities. Siddharth Anand Hits Back The joke didn't sit well with everyone. Without directly naming Zakir Khan, Siddharth Anand responded with a pointed remark on social media, defending Bollywood's legacy. He emphasised that the very "Juhu-Bandra" ecosystem being criticised has consistently delivered some of India's all-time blockbusters over the years. (adsbygoogle = window.adsbygoogle || []).push({}) "Juhu - Bandra peeps have given all ATBB's since the past 50 years. You have to be a real duffer to undermine their contribution", the filmmaker wrote on X. Anand suggested that dismissing the contributions of this circuit would be unfair, reinforcing the idea that mainstream Bollywood still holds immense power when it connects with audiences. This is not the first time someone has taken a dig at Bollywood. In December 2024, when Pushpa 2 took an earthshattering opening in the Hindi version, Telugu producer Suryadevara Naga Vamsi tried to look smart by saying that the people of Juhu-Bandra won't sleep peacefully seeing the numbers of Allu Arjun. (adsbygoogle = window.adsbygoogle || []).push({}) Dhurandhar 2 Becomes The Flashpoint At the centre of the debate is Dhurandhar 2, which has emerged as a box office juggernaut, performing exceptionally both in India and overseas. The film's success has reignited conversations about whether Bollywood is truly losing ground to regional industries or simply evolving with changing audience tastes. What started as a comedic punchline has now evolved into a larger cultural conversation. The clash between Zakir Khan's critique and Siddharth Anand’s defence reflects a deeper divide between perception and performance, between criticism and commercial success.
Bollywood
BY SUNIT JANGIR
Mumbai, April 7 - Producer Namit Malhotra has responded to the massive response the teaser of Ramayana received, calling the audience reaction "overwhelming, inspiring, and humbling". The teaser, Rama, was released a couple of days back, giving the first look of Ranbir Kapoor as Lord Ram. In a heartfelt note, Malhotra expressed gratitude for the love and conversations the promo has sparked across the globe. He highlighted how the story of Ramayana continues to resonate deeply with millions, emphasising that the film carries not just cinematic ambition but also cultural and emotional responsibility. (adsbygoogle = window.adsbygoogle || []).push({}) Promises To Take Audience Feedback Seriously While the teaser received a largely positive response, a section of the audience didn't resonate with it entirely. Addressing the ongoing discussions and feedback from viewers, the filmmaker assured that the team is paying close attention. "We're listening closely," he stated, adding that every bit of audience feedback is being taken seriously as the makers continue refining the film. Malhotra further stressed that Ramayana belongs to everyone, calling it a "shared emotion" etched in the hearts of billions. He noted that thousands of artists and collaborators are working passionately to ensure the film delivers the best across every department while honouring the epic with the reverence it deserves. (adsbygoogle = window.adsbygoogle || []).push({}) Beggining of Something Special Ending on a promising note, Malhotra hinted that what audiences have seen so far is only the beginning. With plans to bring the epic to the big screen on a grand scale during Diwali, the team is focused on elevating the experience further, now with audience feedback playing a key role in shaping the final outcome. With expectations soaring and conversations growing louder, Ramayana is already shaping up to be one of the most ambitious and closely watched Indian films in the making. Directed by Nitesh Tiwari, and also featuring Yash as Ravana, Sai Pallavi as Goddess Sita, Ravie Dubey as Laxman, and Sunny Deol as Lord Hanuman, Ramayana Part 1 is scheduled to hit the big screens this Diwali. (adsbygoogle = window.adsbygoogle || []).push({}) 🕉️ pic.twitter.com/gtF7GqoiuZ— Namit Malhotra (@malhotra_namit) April 7, 2026
Bollywood
BY SUNIT JANGIR
Bengaluru, April 6 - Director SS Rajamouli's epic action drama Baahubali 2: The Conclusion has been one of the greatest blockbusters in Indian cinema, which broke the regional barrier. Despite being nearly a decade old, the Prabhas-starrer still holds a record in many territories, and one of them is Karnataka. In the Southern Indian state, Baahubali 2 is the highest-grossing non-Kannada film with 129 crores gross. Over the last decade, Indian cinema has produced many big blockbusters, but none of them could challenge BB2 when it comes to non-Kannada films, until a Bollywood mega blockbuster came to challenge it. (adsbygoogle = window.adsbygoogle || []).push({}) Closing The Gap With Baahubali 2 A record that stood for a long time is now on the verge of getting broken by Dhurandhar 2: The Revenge, a film which has earned the right to be called the biggest Indian blockbusters since Rajamouli's directorial. The Ranveer Singh starrer has taken the box office by storm, and Karnataka is one of its strongest territories outside the Hindi belt. Directed by Aditya Dhar, Dhurandhar 2 has already grossed 120+ crores in Karnataka, and is now behind less than 10 crores to become the biggest non-Kannada blockbuster in the state. It is only the second non-local movie to break into the 100 crore club there, and is now set to become the number 1 in the coming days. (adsbygoogle = window.adsbygoogle || []).push({}) Top Grossers In Karnataka S. No. Movie Original Language Karnataka Gross 1 Kantara Chapter 1 Kannada ₹ 247.50 Cr 2 Kantara Kannada ₹ 183.60 Cr 3 KGF Chapter 2 Kannada ₹ 183 Cr 4 KGF Chapter 1 Kannada ₹ 135.35 Cr 5 Baahubali 2 Telugu ₹ 129 Cr 6 Dhurandhar 2 Hindi ₹ 120+ Cr (18 Days) (adsbygoogle = window.adsbygoogle || []).push({}) Bigger Picture Beyond Karnataka, Dhurandhar 2 has already grossed 1000 crore in India, entering an elite club alongside Baahubali 2, Pushpa 2, and KGF 2. However, unlike these pan-India juggernauts, its Karnataka success stands out even more due to its primarily Hindi-driven performance, making this run even more extraordinary.
Bollywood
BY SUNIT JANGIR
Los Angeles, April 4 - Director Aditya Dhar's Dhurandhar 2: The Revenge has scripted history at the North American box office by becoming the first Indian film of all-time to cross the $25 million mark. This massive achievement puts it well ahead of Baahubali 2: The Conclusion, whose record stood unbeaten for nearly a decade. The Ranveer Singh starrer has displayed remarkable consistency in the United States and Canada, maintaining strong collections not just over weekends but also during weekdays. The sensational performance of its predecessor, which became the first Bollywood film to top $20 million, has played a massive role in its record-breaking run. (adsbygoogle = window.adsbygoogle || []).push({}) Key Highlights Of The Record-Breaking Run - Dhurandhar 2: The Revenge is the first Indian film to cross $25M in North America. - Surpasses Baahubali 2: The Conclusion ($20.80M) to become the highest-grossing Indian film in the region. - Strong word-of-mouth and repeat value are driving collections. - Growing appeal among non-diaspora audiences. - Record premiere for Bollywood, and the biggest extended opening weekend for an Indian film. - Fastest to reach the $15 million and $20 million mark. (adsbygoogle = window.adsbygoogle || []).push({}) How Far Dhurandhar 2 Can Climb In North America? Trade pundits believe the film is far from done. With momentum still intact, with weekend jumps expected, Dhurandhar 2: The Revenge is on track to cross $30 million soon. If the current trend continues without major drops, the film could even push towards the $32–35 million range, setting an unprecedented benchmark. On the global front as well, the film is enjoying a historic run, already ranking among the biggest Indian blockbusters ever. However, its North American performance stands out as a landmark moment, one that signals the growing footprint of Indian cinema in international markets. (adsbygoogle = window.adsbygoogle || []).push({}) Top 5 Highest-Grossing Indian Films In North America Rank Movie North America GBOC 1 Dhurandhar 2 $25+ million* 2 Baahubali 2 $20.80 million 3 Dhurandhar $20.65 million 4 Kalki 2898 AD $18.60 million 5 Pathaan $17.49 million Data as of April 3, 2026.
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